<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-389379957209367365</id><updated>2011-07-30T21:38:43.377-07:00</updated><title type='text'>Get Lucky:  Steve's Best of 2009</title><subtitle type='html'>Bringing you the best music 2009 had to offer</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://stevebestof.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/389379957209367365/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://stevebestof.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>Steve Martarano</name><uri>http://www.blogger.com/profile/01798176978450326378</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='23' height='32' src='http://1.bp.blogspot.com/_Y-P2sWfVIbI/TOm8MEiJeCI/AAAAAAAAAB0/-ec1pQQUXgw/S220/MSBL.JPG'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>3</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-389379957209367365.post-7279129923397289633</id><published>2009-12-12T17:16:00.000-08:00</published><updated>2009-12-13T16:17:01.177-08:00</updated><title type='text'>Best of 2009 now ready</title><content type='html'>&lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Constantia"&gt;&lt;span style="letter-spacing: 0.0px"&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Get Lucky: Steve’s Best of 2009: Disc 1&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 9.0px Constantia"&gt;&lt;span style="letter-spacing: 0.0px"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Welcome to my Best Of offerings web site. This is the ninth set I’ve produced since 2001. This year, I'm posting the liner notes included with my CDs here, so click on a song and see what comes up. If something strikes your fancy, please support the artist by buying the album or downloading a song or two from your favorite music store. Meanwhile . . . &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 9.0px Constantia"&gt;&lt;br /&gt;&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 9.0px Constantia"&gt;&lt;span style="letter-spacing: 0.0px"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Some songs just “feel” right, and “Soft Pedals” by the impressive &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Modern Skirts&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt; hooked me from first listen and leads things off  . . .  Montreal-based &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;The Stills&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt; continues to put out the kinds of material that sounds fresh, yet they’ve been recording for about 10 years now. “Snow in California” is off the &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Oceans Will Rise&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt; album . . . First time I heard &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Mayer Hawthorne’s&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;  “Just Ain’t Gonna Work Out,” I thought it was a remake of &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Eddie Kendricks&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt; or some other ‘70s R&amp;amp;B soul artist. But Mayer’s a 30-year-old white guy from Ann Arbor and a DJ and arranger in a former life. His debut album, &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;A Strange Arrangement,&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt; is full of songs you’d swear you heard before, but they are all Mayer’s, and to me, the most listenable album of the year.   . . . . It’s been awhile, but &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Toni Childs&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt; is back with a stunning album, &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Keep the Faith&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;. “Dream That We Dream Of” will take you to another place and time . . . . You have to dig around some to find any info on Toronto-based &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;The Dunes&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;. But it’s worth the digging. Their second album, &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Subject to Change&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;, is full of rock ballads and feel-good tunes, like “Thinking of You.” . . .  The irrepressible &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Lily Allen&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt; was all over the place in the early parts of 2009. At first she may sound like a million other young Top 20 singers in the &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Britney Spears&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt; mold, but the difference is the irreverence and self-mockery of her lyrics, and of course the great hooks. “The Fear,” off &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;It’s Not Me, It’s You&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt; is the best of a very good batch of tunes  . . . . I loved “The Ghost in You” when the &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Psychedelic Furs&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt; did it in the early ‘80s and I really love the haunting play &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Duncan Shiek&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt; gives it here. Shiek’s score for the Tony-winning musical &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Spring Awakening&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt; (which played in Sacramento in November) and his rendition of “Ghost” will really stay with you . . . Great seeing &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Chris Isaak&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt; out with a new album in 2009. We had the pleasure of seeing him from the second row at the Dixon May Fair. “We Lost Our Way” off &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Mr. Lucky&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt; is classic Isaac, plus I’m a sucker for songs with California references . . . &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Metric’s&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt; lead singer, &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Emily Haines&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;, also works with &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Broken Social Scene&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt; on occasion, and Metric’s 2009 release, &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Fantasies&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt; has  a BSS feel, but more dreamy, shown by “Collect Call” . . . I always look forward to anything new from the &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Raveonettes&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt; and 2009’s &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;In and Out of Control&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt; didn’t disappoint. The album was filled with catchy tunes, and “Breaking Into Cars” really shows off the group’s trademark surf guitar sound . . &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Schuyler Fisk&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;, the daughter of actress &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Sissy Spacek&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;, was the show I didn’t get to see. Schuyler was slated to play with &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Ben Taylor&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt; at Sacramento’s &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Harlow’s&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt; nightclub, but was a last-minute no-show for unexplained reasons. Oh well, I loved her debut &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;The Good Stuff&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;, and especially “Who Am I to You” . . . You may recognize the voice of &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Dolores O’Riordan&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;, but not the name. Dolores headed the 90s band, &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;The Cranberries&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;, who won fans with several one-word tunes (“Linger, Dreams, Zombie”) and on her second solo album, &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;No Baggage&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;, she scores with “Stupid” . . . New York’s &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;The Pains of Being Pure at Heart&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt; (that is their name) hit the indie jackpot in 2009, on the strength of its debut album, &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;A Teenager in Love&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;. The band deserved the accolades. . .&lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt; Y O U&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt; only had a five-song EP,  &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;The Long-Playing EP&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;, to its credit in 2009 (the band’s third offering since 2005),  but it was enough for me to hook onto “Going Down Swinging,” as good a underdog rally song as you’ll find . . . &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Mindy Smith&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt; consistently releases well-written, hook-laden pop songs that I can’t seem to ignore. There may be a million female singer-songwriters out there, but she always stands out. In 2009, she released &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Stupid Love&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;, and I picked “Couldn’t Stand the Rain” out of a solid bunch . . . &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Camera Obscura&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt; teeters that fine line between today’s Indie pop and the girl-groups of the ‘60s, but it teeters it well, thanks to singer &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Tracyanne Campbell&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;. &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;My Maudlin Career&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt; was one of my favorites of the year, lead by “French Navy” . . . &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;The Hermit&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt; has been putting out sporadic songs since the early 200s, but &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Turn Up (the Stereo)&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt; was my first exposure and I really liked what I heard, especially “Head Case,” which had some very &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Fleetwood Mac&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;-ish harmonies . . . Hailing from Australia, &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Empire of the Sun’s&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt; &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Walking on a Dream&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt; featured a peppier, more danceable synth-pop version of the 70s &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Flash and the Pan&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;. The album’s title track is included here . . . Closing out Disc 1 is the cool sound of &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;AM’s&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt; “It’s Been So Long,” off &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Future Sons &amp;amp; Daughters&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;. It’s a nice, mellow way to ease into Disc 2 . . . &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;div&gt;&lt;span class="Apple-style-span"   style="font-family:Constantia, serif;font-size:78%;"&gt;&lt;span class="Apple-style-span"  style="font-size:9px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/389379957209367365-7279129923397289633?l=stevebestof.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stevebestof.blogspot.com/feeds/7279129923397289633/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://stevebestof.blogspot.com/2009/12/best-of-2009-now-ready.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/389379957209367365/posts/default/7279129923397289633'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/389379957209367365/posts/default/7279129923397289633'/><link rel='alternate' type='text/html' href='http://stevebestof.blogspot.com/2009/12/best-of-2009-now-ready.html' title='Best of 2009 now ready'/><author><name>Steve Martarano</name><uri>http://www.blogger.com/profile/01798176978450326378</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='23' height='32' src='http://1.bp.blogspot.com/_Y-P2sWfVIbI/TOm8MEiJeCI/AAAAAAAAAB0/-ec1pQQUXgw/S220/MSBL.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-389379957209367365.post-6183268528930009973</id><published>2009-12-12T16:48:00.000-08:00</published><updated>2009-12-12T16:52:49.640-08:00</updated><title type='text'>Steve's Best of 2009-2</title><content type='html'>&lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Constantia"&gt;&lt;span style="letter-spacing: 0.0px"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Get Lucky: Steve’s Best of 2009: Disc 2&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 9.0px Constantia"&gt;&lt;span style="letter-spacing: 0.0px"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Mark Knopfler&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;, who first won my heart during the 1978-1985 classic &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Dire Straits&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; years, still produces unique-sounding heart-warming classic Americana (though he’s British). “Get Lucky” is the title track off a very solid album by the same name . . .  The next two songs are about as sugary pop as I’m going to get, but I love these tunes, and I never tired of them. It’s really hard to classify &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Donora&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;, but the band’s debut album is infectious, to say the least. It’s only $7.99 on iTunes. Get it. . . . I have to say “Bow to the Middle,” by &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;The Rosebuds&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;, is the first song I can remember about square dancing. Just great fun, as is the entire album, &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Life Like&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;. . . .  &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Bruce Springsteen&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; has done it again. “The Wrestler” was written exclusively as a favor to &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Mickey Rourke&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; for the movie of the same name. The song won Best Song for the Golden Globes, then wasn’t even nominated for an Academy Award. Go figure. Anyway, when it comes up during the credits at the end of the film, you’ll understand how perfectly it captured the feel of that outstanding movie  . . . . The couple from the movie and album &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Once&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; -- &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Glen Hansard&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; and &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Margita Iglova&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; -- put out their followup in 2009, and, while no longer a real-life couple, the music on &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;The Swell Season’s&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Strict Joy&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; is as emotional as ever. Tell me you can’t &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;feel&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; “Two Tongues” . . . &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;John McCauley’s&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; throaty, beer-soaked vocals reminds me of &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;The Allman Brothers&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;, if &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Axle Rose&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; had fronted that band. &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Deer Tick&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; took over the indie-country mantle in 2009, thanks to the outstanding &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Born on Flag Day.&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; . . &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Wilco &lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;keeps re-inventing itself on each album, but &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Wilco (The Album) &lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;combined a stellar career in one, highly listenable soundtrack. “Country Disappeared” stood out for me . . . I just loved &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Low Anthem’s&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; second album, &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Oh My God Charlie Darwin&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;, and especially “To Ohio.”. . &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Slaid Cleaves &lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;kinda sneaks up on you and “Cry,” off &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Everything You Love Will Be Taken Away&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; is the kind of song you can’t get out of your head . . &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Leslie Mendelson&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; is consistently solid, in the &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Edie Brickell&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;, &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Rickie Lee Jones &lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;mold. “Turn it Over,” from &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Swan Feathers&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; continues that trend . . . &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Jason Karaban&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; isn’t exactly a newcomer, but he is to me, and I really liked &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Sobriety Kills&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;, which made choosing just one song difficult. “Perfect Falling Out” is what I picked . . .&lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; Harper Simon &lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;is the son of, guess who&lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;, Paul Simon, &lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;and his debut album (though he’s in his late 30s) switches between sounding like his father, or &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Art Garfunkel&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;, or a combination of both. “Berkeley Girl” stood out for me . . . And while we’re on legacies, there’s &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Crosby Loggins&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;, son of &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Kenny&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;. On “Time to Move” he uses John Mayer, but this is a great song off his self-titled debut album . . . &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Anjulie &lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;is just fun. “Love Songs,” off her self-titled debut album, shows a maturity beyond her years. . . &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;One Last Century&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; isn’t The &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Damnwells&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; first album, but you probably never heard of them (I hadn’t). The album is full of catchy tunes, like “Like it Is” . . . &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Green Day &lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;returned in 2009 big with &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;21st Century Breakdown&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;. The emotional, political “21 Guns” picked up right off where the monstrous &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;American Idiot&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; from 2004 left off . . . &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Landon Pigg&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;, who scored with my selection from last year (and this year, a commercial) “Love in a Coffee Shop,” returned with “Blue Skies” off &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;The Boy Who Never&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;. And if you missed 2008’s “Love,” there are two versions of it on this album . . . &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;The Avett Brothers&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; zeroed in on the alt-country scene in 2009 and hit it big. “Head Full of Doubt/Road Full of Promise” off &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;I and Love and You&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; made it really hard to pick one song . . . Russian-American &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Regina Spektor&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; collaborated with four different, very high-profile producers (including &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Jeff Lynne&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; of &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;ELO&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; and &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Traveling Wilbury’s&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; fame) to produce her fifth studio album, &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Far&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;. “One More Time With Feeling” captures a great talent at her peak . . . The song “Fly Me to the Moon” is almost 60 years old (popularized by &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Frank Sinatra&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;), but &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Joshua Radin&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; made it sound as fresh as last June. I had to include it here . . . &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Pearl Jam&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; returned to classic form in 2009 with &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Backspacer&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;. “The End” finished off the album, and seemed a fitting finish to my 2009 collection, since it reflects on the mortality we all face. Thanks &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Eddie Vedder&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 9.0px Constantia; min-height: 11.0px"&gt;&lt;span style="font: 12.0px Cambria; letter-spacing: 0.0px"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="letter-spacing: 0.0px"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 9.0px Constantia"&gt;&lt;span style="letter-spacing: 0.0px"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;                                                           Steve Martarano, Dec. 2009 &lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 9.0px Constantia"&gt;&lt;span style="letter-spacing: 0.0px"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Check out Steve’s Best of 2009 blog at &lt;/span&gt;&lt;a href="http://stevebestof.blogspot.com/"&gt;&lt;span style="font: 9.0px Constantia; text-decoration: underline ; letter-spacing: 0.0px color:#2400a9;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;http://stevebestof.blogspot.com&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;/&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/389379957209367365-6183268528930009973?l=stevebestof.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stevebestof.blogspot.com/feeds/6183268528930009973/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://stevebestof.blogspot.com/2009/12/steves-best-of-2009-2.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/389379957209367365/posts/default/6183268528930009973'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/389379957209367365/posts/default/6183268528930009973'/><link rel='alternate' type='text/html' href='http://stevebestof.blogspot.com/2009/12/steves-best-of-2009-2.html' title='Steve&apos;s Best of 2009-2'/><author><name>Steve Martarano</name><uri>http://www.blogger.com/profile/01798176978450326378</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='23' height='32' src='http://1.bp.blogspot.com/_Y-P2sWfVIbI/TOm8MEiJeCI/AAAAAAAAAB0/-ec1pQQUXgw/S220/MSBL.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-389379957209367365.post-6780220241559257321</id><published>2008-11-27T15:08:00.000-08:00</published><updated>2008-12-19T23:16:13.362-08:00</updated><title type='text'>Welcome to the 2008 Edition of Steve's Best Songs</title><content type='html'>&lt;span class="Apple-style-span"  style="color: rgb(0, 153, 0);  font-weight: bold;font-family:'trebuchet ms';"&gt;&lt;br /&gt;&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(0, 0, 153);"&gt;&lt;span class="Apple-style-span"  style="font-family:'trebuchet ms';"&gt;What began in the early '90s as a way to remember the music I listened to during each year has eventually grown into an annual two-disc set given to friends, family and co-workers. The two-disc giveaways -- meant to be my catch-all Christmas gift to anyone who enjoys music -- started in the aftermath of 9/11, in December 2001. About 25 people got the discs that first year, and the list has steadily grown. This is my first attempt at presenting the music online to complement the discs I'm still sending out. As always, these are &lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span" style="color: rgb(204, 0, 0);"&gt;my&lt;/span&gt;&lt;/span&gt; favorite songs of the year, and is a reflection of what I've played throughout the year. This was the hardest year, by far, to finalize the two discs -- there were about 8,000 albums released in 2008. I easily could have included two more CDs without diluting the quality, so maybe the "Best of" tag doesn't really apply. What puts a song on one of Steve's Best of CDs? Well, one thing all of these songs have are the ability to grab me from the first listen, and make me want to listen again and again. A good hook will do that, as will a song that is beautifully written and has stuck with me in some way. I like a wide variety of music, and I want these discs to represent my musical tastes. &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="color: rgb(0, 0, 153); font-family:'trebuchet ms';"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="color: rgb(0, 0, 153); font-family:'trebuchet ms';"&gt;As you may have noticed, to the left are the songs from the 2008 discs. I'm able to display them online because of a new service called SonicSwap, which allows folks like me to post their entire iTunes group of playlists on the SonicSwap site, then post whatever ones I want on a personal web site, like I'm doing here. SonicSwap takes the music and videos mostly from YouTube, displaying whatever videos have been posted there for that particular song. In some cases, a 30-second clip from the Amazon or iTunes web site is displayed as well. Now, SonicSwap, because it does rely on what's on YouTube, isn't a perfect way to show playlists, but it's the best way I could find, and for the most part works great. If you go through my list of songs posted, some strange things may come up. For example, for the Dennis Wilson link to the song "You and I," a video of Dennis (who died in 1983), doing the Joe Cocker tune "You Are So Beautiful" is what is shown. Other videos not matching up with the songs earlier seems to have been fixed. One option when that happens is to click the Amazon or iTune links next to the song, and it will take you to the music store's clip of the song, and you can at least hear what it sounds like. But overall, SonicSwap is pretty cool, and if you click on the SonicSwap logo below each playlist, my page comes up, and you will be able to see all of my playlists I've allowed on the site. There's a lot. I do have over 17,500 songs on my iPod. I've also included here a playlist of every song I've put on my Best of discs from 2000 on. Go all the way to the bottom to find it.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="color: rgb(0, 0, 153); font-family:'trebuchet ms';"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="color: rgb(0, 0, 153); font-family:'trebuchet ms';"&gt;Another thing to check out is the upcoming January issue of Sacramento's Midtown Monthly, which will carry a story by yours truly about my Best of collections over the years and also listing my top albums of the year. You can check it out at their web site at &lt;/span&gt;&lt;span class="Apple-style-span"  style=";font-family:'trebuchet ms';"&gt;&lt;span class="Apple-style-span" style="color: rgb(255, 0, 0);"&gt;www.midtownmonthly.net&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="color: rgb(0, 0, 153); font-family:'trebuchet ms';"&gt;. Hope that everyone enjoys the music found here as much as I've enjoyed finding it for you, and Have a Great 2009!&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/389379957209367365-6780220241559257321?l=stevebestof.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stevebestof.blogspot.com/feeds/6780220241559257321/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://stevebestof.blogspot.com/2008/10/welcome-to-2008-edition-of-steves-best.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/389379957209367365/posts/default/6780220241559257321'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/389379957209367365/posts/default/6780220241559257321'/><link rel='alternate' type='text/html' href='http://stevebestof.blogspot.com/2008/10/welcome-to-2008-edition-of-steves-best.html' title='Welcome to the 2008 Edition of Steve&apos;s Best Songs'/><author><name>Steve Martarano</name><uri>http://www.blogger.com/profile/01798176978450326378</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='23' height='32' src='http://1.bp.blogspot.com/_Y-P2sWfVIbI/TOm8MEiJeCI/AAAAAAAAAB0/-ec1pQQUXgw/S220/MSBL.JPG'/></author><thr:total>0</thr:total></entry></feed>
